This here is a home-made (but well-made; I would like to know whose music this is) video showing the events leading to the battle. The long siege in Cyprus, the surrender, the treason and torture which followed, and the cruel events becoming a wake-up call for Europe. Whilst it is clear that a showdown was in the cards anyway (Venice had been carefully planning the conflict on its own for years before the fall of Cyprus and wanted to counter the bigger force of the Ottoman with superior technology) it is undeniable that traumatic events do play a big role in actually precipitating planned war scenarios.
In our case, the destiny of Marcantonio Bragadino (in my time, mandatory patriotic school fare; I hope it has remained that way) and of the poor defenders of Cyprus certainly gave more than an appetiser of what would become more and more frequent along Southern Italian coasts if not checked, let alone what would have happened if Rome itself had fallen in the hands of the Ottoman.
It seems that there is a common thread linking Vienna and Lepanto. An increasing threat is perceived as such, but without this creating a generalised and compact desire to react to the enemy; until something huge happens, traumatic and life-changing, and this event impresses itself in the collective consciousness of Christianity and leads, with more or less immediacy, to individual diplomacy being cast aside and the sword of Christ taking the word.
This has happened in the 1070s, with the traumatic exclusion of Christian pilgrims from the Holy Land (an event whose extent we can barely imagine today, and of cataclysmic proportions for the contemporaries) and, after the failure of a long-winded “peace process”, the decision of a strong Pope to react with open warfare. This has happened again with Bragadino’s cruel end, and again with the sieges of Vienna. Every time, though, there has been a reaction.
We can now make a parallel with the resurgent Islamic fundamentalism (a phenomenon very similar to the one leading to the closing of Jerusalem to Christian pilgrimages in the XI century) and with Nine Eleven, an event which would be extremely stupid to analyse merely in political or sociological terms, particularly when the authors of the act don’t even dream of doing it themselves.
We can only hope that – as happened in the XI century – a traumatic event will, in time, make Christianity aware not only of the need to fight an approaching danger with due decisiveness, but also to a growing awareness of the great strenght of the Christian West and of the possibility it has to wipe out – if sufficiently cohesive and united under God – every adversary and every threat.
This fragment of a documentary is in Italian [click “watch on you tube” and disable the mute if you have no audio] and will be less accessible to those not blessed with the knowledge of Dante’s Language. Still, music and reconstruction are beautiful and the product is well made.
1) Don Juan reports of having kneeled and asked for heavenly help in front of his soldiers, who did the same.he was the commander-in-Chief of the Holy League, but he still knew who his Commander-in-Chief was.
2) The documentary stresses the importance of the superior Western technology: Venice’s new type of war ship (“Galeazza”, as opposed to the typical “Galeone”) was able to fire from all sides and much more difficult to board. According to the documentary, this and the superior quality of Western cannons played an important role.
3) Don Juan promised freedom to the Holy League prisoners employed as forced oarsmen and they participated to the assault of the Ottoman vessels. In those days, naval battles were, so to speak, also traditional battles as you had foot soldiers on your ship trying to board and take enemy vessels. As far as I know, both the Royal Marines and the US Marines originate from this kind of warfare.
4) The documentary has a beautiful and powerful image starting from 2:43. The commenter says “the battle went on savagely for hours, and ended in a carnage”. As these words are pronounced, an imaginary camera goes along the blade of a sword and when the word “carnage” is pronounced the hilt of the sword is showed, forming a clear… cross.
The image of the Cross being also a Sword is a famous symbol of the middle ages, visible in countless representations of tombs with the sword held in such a way that it is clearly a sword but it forms a cross on the breast of the deceased. The creator of this documentary knows his Christian imagery.
5) A Te Deum was celebrated in Venice as the fleet was coming home. One imagines what an unforgettable moment it must have been for the Venetians. As always, Italians have a strong sense of drama.
6) Even today, every year, the Vatican celebrates the victory inviting the descendants of those brave soldiers.